Behind the Scenes with S.J.Hartland, #Author of #DarkFantasy The Shadow Sword Series

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S.J. Hartland is an Australian journalist, emerging epic fantasy author, and foil fencer (Cyrano club in Sydney,) who has spent too many holidays wandering around obscure castles, and is obsessed with anything medieval.  She is originally from Townsville, north Queensland, lived in Sydney for many years, and now calls the Darling Downs home.  She recently chatted with me about her Shadow Sword series and gave me some juicy behind the scenes insights!

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I wrote the early drafts of The Sword Brotherhood when I was in a very dark place. Depression, anxiety, which I’m at times prey to, struck that year. Writing became a “flow” activity which helped me fight free of overwhelming emotions.

Roaran’s journey, his suffering as his enemy’s prisoner, became an odd sort of mirror for me. His battle was as much against his past, his feelings of despair and hopelessness, as it was against his captors. My battle, too, was to find meaning and a way forward.

In that sense, Roaran’s jailer, Raggamirron, in the early drafts became a psychologist of sorts to Roaran, leading him on a path that today we might think of as “mindfulness.”

Yet in the end, most of those chapters had to go; in fact more than half disappeared into a desktop folder called “dropped chapters.”

The Sword Brotherhood, however, remains a dark book. Because it’s Roaran’s story, because it’s about his path to redemption and self-acceptance, it was always going to be the darkest in the Shadow Sword series.

Although the first in the series, The 19^th Bladesman, was at its heart about fatherhood and letting go of power, redemption is a key theme across The Shadow Sword books. Characters often have to confront guilt or shame. But to balance that out, almost as a result of the darker feelings, characters can find hope or acceptance, or simply a way to go on.

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Val’s path in The Last Seer King is particularly disturbing. Not only does a sorceress strip him bare emotionally and psychologically, but she forces him to confront his long-buried past. I tried to balance his despair in recounting what happened to him in a tower room centuries ago with Heath’s desire to free Val from his pain.

As Heath says, they could have been friends, with all that friendship offers. Hope. Freedom. Understanding, even comfort. A different kind of love–something I think is rarely explored.

Sometimes I wonder if these themes reassert themselves because I’m a Methodist, going back generations on both sides of the family.

I’m interested in guilt, in how it shapes us, but at the same time, I’m a deep believer that all of us can be redeemed–even Roaran, the Seer King, whose actions had to make sense even if we can’t agree with his choices. Even Genya, who acts out of anger and hurt and costs others their lives.

Her journey into darkness has only begun. Dannon, too, has important lessons to learn in the forthcoming The Sword and its Woman and the fifth book, loosely titled Broken Kingdom.

The Sword and its Woman is set largely in Quisnaf, a city of caves ruled by warrior women. I’ve tried to reverse every gender role I can think of in what is largely a Val tale. In Quisnaf, his worth is no longer measured in his ability with the sword, his classical education, or his position as a lord of Telor, but in his handsome face and his ability to provide children.

Perhaps it’s a risky book; it certainly takes Val in a new direction. He may find something he didn’t expect. But then he will lose it. Of course he will. When am I ever kind to characters?

The book also introduces one of my favourite characters, Rohane, a cursed berserker warrior of Quisnaf.

But before that, I’ve got the first in a new series coming out. Blade Lord is the story of Decallion and Sinnabar. He’s the only blade lord whose soul is not tethered to a ruling family in the distant Circle Kingdoms, which not only makes him valuable but puts him in grave danger. She’s a fura, or enforcer for the temple.

To save Decallion, Sinnabar will rebel against the temple and travel to the lawless Guildlands. She’ll risk her life and her soul. But, Decallion, cursed by magic, is destined to never remember her.

Although set in a dangerous world where the menace of the Shadow Kingdom across the fiery abyss pervades the realm, there are links in Blade Lord back to the world of Telor.

If I get it right, ultimately both series will fold together in a bizarre way.

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My 5-Star Review of The Sword Brotherhood